To better understand the challenges that face marketing communications today, Belch and Belch (2001, vi) describe the state of advertising and promotion in the postmodern world as follows:
Nearly everyone in the modern world is influenced to some degree by advertising and other forms of promotion. Organizations in both the private and public sectors have learned that the ability to communicate effectively and efficiently with their target audiences is critical to their success. Consumers are finding it increasingly difficult to avoid the efforts of marketers, who are constantly searching for new ways to communicate with them. (...) Marketers are looking beyond the traditional media to find new and better ways to communicate with their customers. They no longer accept on faith the value of conventional advertising placed in traditional media. (...) They know they are operating in an environment where advertising messages are everywhere, consumers channel-surf past most commercials, and brands promoted in traditional ways often fail. New-age advertisers are redefining the notion of what an ad is and where it runs. Stealth messages are being woven into the culture and embedded into movies and TV shows or made into their own form of entertainment.
In this environment, where advertising messages are nearly everywhere, exists the problem of clutter, which is very important for advertisers to understand. Belch and Belch (2001, 195) define clutter as the quantity of advertising in a medium. They further state that marketers are increasingly concerned about clutter because the competition for consumers’ attention in different media is furious. According to them, the high amount of advertising results in consumers being annoyed and advertisements having difficulties of getting their messages through. Regardless, it is important to point out that clutter is a key issue but not the only major concern of advertisers and marketers.
For their part, Olney, Holbrook and Batra (see Gupta, Balasubramanian and Klassen 2000, 42) raise concerns over the fact that viewers avoid television advertisements by zipping and zapping. According to Belch and Belch (2001, 361), zipping is fast-forwarding through commercials when playing back a program recorded previously. In addition, they state that zapping occurs when commercials are being avoided by changing channels. In conjunction with Olney, Holbrook and Batra, Lawrence (see Gupta et al. 2000, 42) emphasizes facts such as passive viewers avoiding television advertisements and television audiences being increasingly fragmented. In the same vein, Alwitt and Prabhaker (see Gupta et al. 2000, 42) note that people appear to dislike advertising on television. To conclude, Gupta et al. (2000, 42) point out that the factors mentioned above force sponsors to find other media alternatives and non-traditional ways of communication, such as product placement.
According
to Balasubramanian (1994, 29-31), product placement is a product message that
has been paid for and tries to influence film or television audiences through
the intentional and subtle placement of a branded product into a film or
television program. In addition, he argues that product placements fall in the
category of hybrid messages. In this regard he states that all influence
attempts that have been paid for and are aimed at audiences for commercial
purposes, but have non-commercial characteristics, are included in the category
of hybrid messages. He further elaborates that due to the non-commercial
character of hybrid messages, audience members will probably not realize that
they are the objects of commercial influence attempts and/or deal with the
content of the message the same way as with commercial messages. Accordingly,
the effectiveness of hybrid messages lies in their creativity of combining the
most important advantages (and avoiding the least wanted disadvantages) of
advertising and publicity (see Figure 1).
HYBRID MESSAGES
Sponsor not Advantage: Perceived source not identified à (i.e., media) appears credible. Sponsor Disadvantage:
Perceived source identified à (i.e.,
sponsor) viewed with skepticism.
Figure 1 Hybrid Messages Creatively Combine Advertising and Publicity
Concepts
(Balasubramanian
1994, 30)
This doctoral research departs from the above described circumstances facing marketing communications efforts at present time. Product placement was chosen as a research topic because it is assumed, that as a marketing communications tool, it in fact presents companies and marketers interesting and effective ways to reach ever more saturated consumers. In addition, the context of this research is more specifically focused on Finland due to the lack of research concerning the Finnish situation of product placement activities.
Furthermore, there are some signs of interest among Finnish movie producers
and corporations towards product placement in, for example, Finnish movies and
television shows (see e.g., Snellman 2003). Therefore, before taking major
steps, it is crucial to conduct more research to, first of all, find out more
about the possibilities the practically non-existent Finnish product placement
industry presents to interested companies. Secondly, it is important to conduct
surveys regarding the viewpoints and opinions that Finnish consumers have
towards product placement in different media, in order to better assess the
effectiveness of such communications efforts.
As
already briefly mentioned above, this research project aims at exploring the
possibilities product placement offers Finnish companies. The first part of
this research focuses on product placement as a marketing communications tool.
The function of this part is to serve as a theoretical framework for the entire
research and to give an overview of the trends and dimensions of product
placement as a phenomenon today.
The second part of this research, on the other hand,
explores the product placement industry and activities specifically in the
Finnish context. The main aim of this part is to assess the current situation
of the product placement practice in Finland from the viewpoint of various
professionals, who are in charge of handling these communications efforts one
way or the other. Its function is also to find out about the concrete
possibilities Finnish companies have in case they are interested in product
placement activities.
Summa summarum, the primary research question is the following: (1) what opportunities does product placement as a marketing communications tool present to Finnish companies? Other questions to answer are the following: (a) what are the trends and dimensions of product placement as a marketing communications tool?, (b) what is the current situation of the product placement industry in Finland and what possibilities do companies interested in its use have?, (c) how do Finnish consumers perceive product placement and what are their opinions of it? and (d) how effective is product placement among Finnish consumers and are there differences in this effectiveness in comparison to, for example, American consumers?
The first part of this research will be methodologically theoretical and
concept-analytical in nature. It will consist of a wide literature review,
which aims at presenting various aspects of the product placement practice.
The second part, on the other hand, will be carried out through interviews
with Finnish professionals involved or interested in being involved in product
placement activities, such as marketing executives of companies in various
fields of business (e.g., Pekka Rantala and Jussi Tanninen from Nokia, Max
Alfthan from Amer), producers of television shows (e.g., Sarita Harma and Jukka
Raatikainen from MTV3), movies (e.g., Jussi Lepistö and Markus Selin from Solar
Films) and possibly other media channels (e.g., video games, books) as well as
media and communications agencies (e.g., Tomcom Marketing Communication Ltd) in
charge of arranging placement opportunities.
The data collection for the third part will mainly consist of a consumer
survey among the Finnish public (a sample representing all demographic groups)
through which the opinions and awareness of product placement practices will be
measured. Optionally, if appropriate, it is possible to conduct the survey only
among specified target segments of some Finnish company.
For the final part the most appropriate method is an arranged, controlled
viewing of material containing product placement (e.g., movies, television
shows, games) complemented by a survey. The most reliable circumstances for a
cross-cultural comparison can be achieved through sampling among the student
population of each country. Although this kind of sampling has its limitations,
it is regarded as suitable for ensuring that all the possible differences that
are detected are in fact based on cultural differences because students seem to
represent quite similar traits and behaviors from country to country.
Fall 2003: October-November: gathering and studying
related literature
December: analyzing
literature and preparing 1st paper
Spring / January-March:
finishing 1st paper and drawing conclusions
Summer 2004: April:
preparing 1st paper for publication
May-June:
conducting in-depth interviews with Finnish marketing executives, producers and
media agents dealing with product placement to gather data for 2nd
paper
July: analyzing collected data and
preparing 2nd paper
Fall 2004: August-October: finishing 2nd
paper and drawing conclusions
November: preparing 2nd paper
for publication
December-January:
mailing consumer surveys to gather data for 3rd paper
Spring / February-March: coding and analyzing
collected data statistically
Summer 2005: April-June: preparing 3rd
paper
July: finishing 3rd
paper and drawing conclusions
Fall 2005: August:
preparing 3rd paper for publication
September-October: arranging viewing of product placement material
and student surveys in Finland and chosen other country to gather data for 4th
paper
November-December:
coding and analyzing collected data statistically
Spring / January-March: preparing 4th
paper
Summer 2006: April: finishing 4th paper
and drawing conclusions
May:
preparing 4th paper for publication
June-September:
writing overall research framework and drawing conclusions of separate research
papers
Fall
2006: October-December:
fine-tuning research report, preparing it for publication and preparing for
doctoral disputation
In general, from the point of view of Finnish companies, this research offers them imporant knowledge and know-how on how to expand their marketing communications mix beyond the more traditional and popular channel and message format choices. This research also highlights the importance of collaboration and cooperation when it comes to marketing communications efforts, because product placement presents fruitful tie-in promotion opportunities, which create synergy, for both companies as well as, for example, filmmakers. All the knowledge this research provides is likely to be of great value in gaining competitive advantage in the ever more competitive Finnish market.
Finally, to take a more societal perspective, this doctoral research provides an opportunity to critically evaluate the current and possibly predict the future situation of the integration or merger of culture and commerce in the Finnish society. As well as presenting the views of product placement practitioners, it also takes into account the consumers’ perspective in order to assess, whether the current trend of blending culture and marketing seems to be gaining popularity and acceptance in Finland.
Balasubramanian,
S. K. 1994. Beyond Advertising and Publicity: Hybrid Messages and
Public
Policy Issues. Journal of Advertising XXIII (4), 29-46.
Belch,
G. E. & Belch, M. A. 2001 (1990). Advertising and promotion: an integrated
marketing
communications perspective. 5th edition. New York:
Irwin/McGraw-Hill.
Gupta,
P. B., Balasubramanian S. K. & Klassen, M. L. 2000. Viewers’ Evaluations of
Product Placements in Movies: Public Policy Issues and Managerial Implications.
Journal of Current Issues and Research in Advertising 22 (2), 41-52.
Ljungberg, E. & Rodrigo, I. 2002. Produktplacering - ett sätt att kommunicera varumärkesidentitet? Linköpings universitet. Ekonomiska institutionen. D-uppsats.
Snellman, S. 2003. Markkinointisopimukset pönkittävät kotimaista elokuvaa. Helsingin Sanomat 2.2.2003.
Vinciguerra, S. 2002. La nouvelle pub: plus on voit, moins on la reconnaît. Le Courrier 23.11.2002.
Wirsum, A. 2002. Produkt-Placement im Rahmen der Marketingkommunikation. Freie Universität Berlin. Arbeitsbereich Wirtschafts- und Organisationspsychologie. Diplomarbeit.
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